Pictured above: Sheba by Sonny
SILENT AUCTION 2024
This auction ended on 6/5/24. Thanks to everyone who participated!
We’ll return in May 2025 to celebrate our 40th art auction anniversary. Stay tuned.
A.K. Valkes
Panopticon (2024)
Acrylic and beads on canvas
16” x 20 “
"Use of heavy acrylic for strong texture throughout the piece, with the addition of pearlescent beads creates a work with 3D elements. Multiple eyes, human like & otherwise are scattered throughout, watching."
Courtesy of A.K. Valkes & Hospitality House's Community Arts Program.
Preview in person at MothBelly Gallery, 912 Larkin St. SF
Adam Ansell
Here comes trouble (2023)
Acrylic on wood
16” x 16 “
"I use my experience in fashion and theater to inspire my paintings. After graduating from SF State in 1988 I moved to NY, where I was working in window display, and I also was a member of the 13th Street Repertory Theater Company, I moved back to SF and started my own theater group and have been painting and involved with the arts community here in this apartment with my partner for the past 30 years."
"Here comes trouble. When you see these three together watch out."
Courtesy of Adam Ansell
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Alexis Javellana Hill
Garage (2023)
Oil on canvas
16” x 18 “
Alexis is a fine artist and educator working in the San Francisco Bay Area. Her studio practice centers abstractions of growth at the confluence of manmade and natural and the everyday patterns of public spaces and built environment. Alexis has a BA from Dartmouth College, an MFA from Rhode Island School of Design and is currently a studio artist at Root Division.
Courtesy of Alexis Javellana Hill
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Alice Koswara
Lola (2020)
Acrylic on paper
9 x 12"
Alice Koswara is a graphic designer and contemporary artist living in San Francisco. She was born in Jakarta and moved to the US in 1995 to study graphic design at the Academy of Art University. She started her art career in 2008. Since then she's painted murals and shown in galleries all over the world. Her latest work is a series of female portraits and animals done in acrylic, watercolor and ink.
Courtesy of Alice Koswara
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Alvar Jacomet
9/9/2020 (2024)
Acrylic & gel on canvas
30 x 30"
Alvar is an American /Argentinian artist based in San Francisco. He studied fine art in Buenos Aires where he was majoring in sculpture before pivoting to digital art and then painting at SFÂ’s City College.
His personal style has been influenced by architecture from the beginning. Many of his teachers at university had backgrounds in architecture, and some of his biggest inspirations, like Lebbeus Woods, started as architects themselves.
"This piece is a callback to September 9th 2020. I remember testing positive for covid literally the day before, and then waking up to an orange sky. Although we were untouched, SF was surrounded by fires from all around the state. I was glad I couldn't smell anything, and I feel grateful that I was able to wait out the many different kinds of storms of that year here in San Francisco."
Courtesy of Alvar Jacomet.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lot# 206
Amanda Bristow
Suma Jane (2022)
Acrylic on canvas
18 x 24"
Amanda Bristow is an MFA candidate at California College of the Arts. Working in painting, drawing, and sculpture, her art addresses themes of marginalization, ableism, death, and the experience of having a body.
"Suma Jane is a depiction of a fat woman sunbathing in a fluorescent bikini. I was inspired to create this piece as a way to celebrate unconventional beauty. I thought about the way that some bodies have less access to joy, recreation, and rest, and wanted to change that narrative."
Courtesy of Amanda Bristow
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Amandalynn
Secret of the Garden (2023)
Acrylic on canvas
12"
Amandalynn is a Muralist and Fine Artist based in Northern California. Inspired by the feminine in all things, Amandalynn depicts the subtle beauty of the natural world and humankind, through illustrated line work and decorative patterning. Her works can be found in Galleries and Streets all over the world. She began developing her distinct Street Art style mural work in 2001, painting alongside the graffiti community of San Francisco. Amandalynn is very passionate about her outdoor public mural work and still enjoys collaborating with a variety of different artists, as well as creating large solo works. Fine Art also plays a key role in Amandalynn's life, as she continues to develop her career as a professional gallery artist. She has a bachelor’s degree of Fine Art from the San Francisco Academy of Art, and recently has started teaching mural classes in schools ranging from pre school to high school. Amandalynn believes that sharing the creative process with others is the key to living an inspired life.
Courtesy of Amandalynn & Modern Eden Gallery.
Preview in person at MothBelly, 912 Larkin St. SF
Andres "AJ" Serrano
Daddies #16 (2024)
Ceramic tiles
11.5 x 22.5 x 1.75"
Andres Serrano is a ceramicist from Richmond, CA. In his free time, he can be found with his hands covered in clay, glazes, or chocolate from all the Twixes he consumes.
"The work presented explores the intersectionality of history, culture, queerness, and function to visually display themes of men, homosexuality, and gay erotica onto ceramic tiles. Using cobalt blue and tin white, traditional materials of both Iberian azulejo and Mexican talavera, my body of work re-envisions classic tile art by rejecting its oppressive colonialist past through what I call a “homosexual gay-ze,” that is, to display the male body from a gay mans’ perspective. The work also connects how ceramics is inherently queer–how prevalent clay and ceramics are while cruising men for sex. From public bathrooms, locker rooms, parks, and other public areas, all these locations are connected through the usage of ceramics (tiles, urinals, toilets) and clay (mud/dirt from parks)."
Courtesy of Andres "AJ" Serrano.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Angela Baker
Sympathy For Atlas (1999)
Oil on canvas
34 x 30"
Angela Baker moved to San Francisco in 1998 from Columbus, OH. Most of Angela's paintings are figurative, exploring psychology of human relationships and tensions. She skillfully employs color and texture to reveal mood and figures. Baker draws on memories, thoughts, and emotions to create her narratives.
Courtesy of Paul Ybarbo.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Ann Marie Krulick
Snow Queen of Loudin (2023)
Acrylic, oil pastel on canvas
18 x 16"
Ann Marie Krulick (she/her) is a Philadelphia based artist who currently lives and works in Oakland, CA. She earned her BFA in Painting and Drawing from Tyler School of Art (2013) and has recently shown work at Good Mother Studio (Oakland, CA), Martha's Contemporary (Austin, TX) and is a former member of the Artist Collective, New Boone(e) in Philadelphia, PA. This will be her second year submitting work to the Art Auction for Hospitality House. It's a wonderful way to connect with fellow artists and support the amazing programming HH offers to the community!
Courtesy of Ann Marie Krulick
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Anna Ovchinnikova
Hope (2023)
Acrylic on canvas
20 x 20"
Anna is a versatile artist with a background in fine art and industrial design, holding master's degrees in both fields. Beginning her career as an art director in Moscow, Russia, she later immigrated to the United States, where she flourished as an art educator, inspiring thousands of young students.
Now based in San Francisco, Anna explores her own artistic style as an independent artist. Her portfolio predominantly features abstract still life pieces, characterized by vibrant colors and expressive compositions.
"Trust that it is there, even if you can't see it clearly. You are almost touching it. Don't give up!"
Courtesy of Anna Ovchinnikova
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Anna Runnalls
The Tarot Reader (2024)
Acrylic on wood
12 x 12"
"'The Tarot Reader' is an elegiac work that honors the late San Francisco witchy store The Scarlet Sage, which was lost to the city due to COVID-19 disruptions and red tape. It was a beloved little shop with stones, herbs, books, and, of course, an assortment of tarot cards. The Valencia location held a special place in my heart, and was proof in a way that I was living in the right place."
Courtesy of Anna Runnalls
Preview in person at MothBelly, 912 Larkin St. SF
Apexer
Electric relaxation (2023)
Spray paint on wood
Approx 32 x 8"
A San Francisco public artist that loves to paint colorful geometric murals.
"The skateboard design plays off the movement of skating on asphalt through the city. The abstract art starts out bold and clean then melts away towards the bottom."
Courtesy of Apexer
Preview in person at MothBelly, 912 Larkin St. SF
Ariel Cooper
Red eyes means friend (2024)
Hooked rug tapestry made with t-shirts and burlap coffee sack
14 x 7.5”
"This tapestry was made using traditional rug hooking methods. I take old t shirts and cut them into very thin strips and using a special rug hook, I hook those fabric strips into consecutive loops through the weave of a burlap coffee sack to form the image, switching colors when necessary then binding the edges with the same materials. "
Courtesy of Ariel Cooper
Preview in person at MothBelly, 912 Larkin St. SF
Astara Moon
The Sweetest Symphony of a Dream (2024)
Colored pencil on toned paper
8 x 12"
"In this piece there were a variety of emotions that came through during the creation process but the most prominent theme is the demonstration of how nurturing the vulnerable parts of oneself allows for an out pouring of love from the spirit to the physical. The biggest inspiration was Vincent Van Gogh's master piece "Starry Night." His artistic expression was the spark that made me want to pursue art as a career."
Courtesy of Astara Moon & Hospitality House's Community Arts Program.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Audra Miller
Leonard (2024)
Ink
8 x 10"
Audra Miller has been an artist, illustrator, and professional portrait photographer in San Francisco for the past decade. Her work has been seen at the San Francisco Public Library and many other galleries across the city.
"This piece was done in ink but drawn in a style to mimic a linocut to represent the copycat nature we sometimes find ourselves in. Leonard pushes those boundaries and is just plain silly. We should all strive to be Leonard."
Courtesy of Audra Miller
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Aunia Kahn
MYSTERIES WRAPPED IN ROOTS (2023)
Mixed media
16 x 19 "
Aunia Marie Kahn (B. 1977 Detroit, Michigan) is an award-winning and collected American contemporary painter, illustrator, curator, and entrepreneur. Her work blends figurative subjects with symbols and elements from nature, featuring recurring themes including depictions of women and animal subjects, nature and the profound explorations of mortality and rebirth. Kahn draws her inspiration from a turbulent upbringing and a series of near-death experiences due to chronic illness.
Courtesy of Aunia Kahn & Modern Eden Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Austen
Nesting (2023)
Hand cut recycled collage; found cardboard and paper
18 x 24”
Austen Zombres, originally from Sonoma Valley, has been collecting recycled cardboard and paper in San Francisco for over a decade. With a colorful library of found cardboard, he meticulously hand cuts intricate collages. His detailed pop culture, food and floral still life’s barely resemble collages. These hand cut upcyled assemblages read more as paintings. People are surprised to learn found trash can be something beautiful or even seem delicious.
"'Nesting' is a depiction of a bird caring for its eggs on a forest floor. Memories of the Sonoma Valley forests continues to be a strong influence on my art."
Courtesy of Austen and Incline Gallery
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Bob Nugent
Untitled (unknown)
Mixed media on paper
26.25 x 34"
Bob Nugent received his Master of Fine Arts Degree in Painting from the University of California, Santa Barbara in 1971. Since that time he has been awarded numerous grants and fellowships including a Tiffany Foundation Fellowship, NEA Fellowship, Fullbright Travel Grant and a California Arts Council Grant for his work in Brazil. In 2005, after 34 years of teaching painting and drawing, Bob retired from Sonoma State University. The following year he was elected to Professor Emeritus in Art at Sonoma. Bob has had over 120 solo exhibitions and has been included in over 650 group exhibitions throughout the United States, Europe, Asia and South America.
"Bob Nugent first became interested in the Indigenous peoples and rain forest of South America in the summer of 1984 during a trip to Sao Paulo, Brazil to see an artist friend. Over more than 30 years he has made repeated sojourns to South America and in particular the Amazon Basin of Brazil. Returning to Brazil now one to two times a year, Bob continues his research and study of the flora and fauna of the Amazon Region as well as other parts of the country. But it is the vital layer, as Nugent calls it, which interests him the most."
Courtesy of Dennis Kane.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Brandon Joseph Baker
WINNEBEGO AFFORABLE HOUSING CRISIS IMMOLATION (2024)
Mixed media collage on wood panel
8 x 8"
Brandon Joseph Baker is a photographer and collage artist. His mixed media art begins with source material he photographs, digitally arranges, prints, cuts, reassembles and paints. His postmodern work juxtaposes themes of home, sex, death, birth and the environment while examining how humans interpret and influence these tropes.
"Winnebego Affordable Housing Crisis Immolation is a piece from Brandon Joseph Baker's Doom Loops series about life and the experiences ubiquitous to The Bay Area. The housing crisis impacts everyone and the loss of a "home", physical or emotional taxes the human experience differently for each individual. Sunflowers in Baker's work represent home and their immolation signifies the change of his definition of home in 2024."
Courtesy of Brandon Joseph Baker
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Brookelee Borchardt
Mother Nature Prevails - 1
Mixed media on wood block (2024)
4 x 4"
"This piece was inspired by the blooming of greenery in San Francisco amongst the manmade architecture. Mother Nature can be demolished by our species, but she prevails, and peeks through artificial structures."
Courtesy of Brookelee Borchardt.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Caity Salamanca
Chrysalis (2024)
Mixed media on canvas
20 x 24 x 2”
"Chrysalis represents the transformation I have gone through to allow my work to reach into me. This allows me to trust my intuition and allow my risks to be seen by the viewer."
Courtesy of Caity Salamanca
Preview in person at MothBelly, 912 Larkin St. SF
Camila Fernandez
Skull Kitty (2024)
Oil on panel
9.5 x 12.5"
Camila Fernandez started her artistic journey with a degree in sculpture from the Academy of Art in 2005. Over the years, her creative focus shifted towards the canvas, where she found a connection with the expressive possibilities of oil painting. Inspired by the life that surrounds her, Camila dedicates her time to creating works of her family, life and creatures. She uses vibrant color and rich textures to form a contemporary approach to the timeless tradition of painting.
Courtesy of Camila Fernandez
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Carolynn Haydu
Disco Topo (2023)
Painted paper collage on wood panel
16 x 20"
Carolynn Haydu received her BFA from UC Berkeley and MFA from NYU. She has shown recently at the de Young Open and Hashimoto Contemporary. Her art will be featured in San Francisco Art Market this April.
Courtesy of Carolynn Haydu & Mixx Gallery.
Preview in person at Moth Belly, 912 Larkin St., SF.
Charlotte Beck
Untitled (2023)
Cyanotype
8 x 8”
Charlotte Beck (b 1991) is a research artist based in Oakland, California. Using (mostly) camera-less photography, Beck explores symbolism through an occult lens, presenting her findings using cyanotypes and other antiquated darkroom techniques. Her current body of work draws inspiration from divination, alchemy, and the Jungian concept of the collective unconscious.
Charlotte Beck received her B.A. in Art and Art History from San Francisco State University and is a former studio artist at Root Division, a non profit arts organization in the Bay Area. She has participated in the Recology Artist-in-Residence program and has exhibited at numerous galleries throughout the city of San Francisco.
Courtesy of Charlotte Beck
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Chris Farris
Like A Motherfuckin Halo (2023)
Acrylic, graphite and mixed media on stretched canvas
16 x 20”
"My artistic practice involves exploration of thought processes and experience by means of daily writing and drawing that leads to more involved and complex work in the form of conceptual visual and sculptural work, discussion, and performance.
I’m fascinated by the nature of “quality” of artwork. Can the same artwork be both a failure and success?
I enjoy integrating text and language in visual work, and aesthetically I’m interested in too much color, poorly paired colors and surprise. I believe that humor is a necessity for survival, and that art is too important to be treated too seriously."
Courtesy of Chris Farris & The Space Between Gallery.
Preview in person at MothBelly, 912 Larkin St. SF
Chris Harvey
On The Street (2023)
Oil on wood
24 x 30"
"I am a figurative painter working primarily with oil on wood. I am also a songwriter."
"The painting is of a photograph I took on a street in Berkeley. It is both sad and beautiful."
Courtesy of Chris Harvey
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Chris Koehler
rebuild it better (2020)
Acrylic on panel
14 x 14"
Chris Koehler is an award-winning illustrator and artist from San Francisco specializing in movie posters, editorial illustration, and comics.
He has illustrated for Universal Pictures, Marvel Studios, Penguin Random House, Tor, Pentel Arts, and Popular Science and he is a regular contributor to the New York Times. His work has been recognized by Communication Arts, Society of Illustrators, American Illustration, Spectrum, and 3x3.
In addition to being a freelance brush for hire, Chris has taught in the Illustration and MFA in Comics Programs at California College of the Arts and the Art Studio at UC Berkeley, and regularly guest lectures at colleges across the country. He can often be found hunched over a sketchbook in a coffee shop.
Courtesy of Chris Koehler & Voss Gallery.
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Chris Leib
Pandemic Portrait with Beer and Pizza (after Dick Ket) (2021)
Oil
11 x 9"
Chris Leib is an American artist from the San Francisco Bay Area. He began his education in Anthropology at the University of California at Berkeley, later studying at the Academy of Art in San Francisco and apprenticing with the master Italian painter Roberto Lupetti while also working as an illustrator for McGraw-Hill Publishing. Chris Leib has exhibited his artwork across the United States, Germany, France, Denmark, Italy, Austria and Australia.
Courtesy of Chris Leib & Modern Eden Gallery.
Preview in person at Rosebud Gallery, 839 Larkin St. SF
CJ IN TL
Where To My Queen? (2024)
Mixed media
11 x 14"
"I have made many pieces that hang in local retailers in S.F. such as HA-RA, Woerners, Liquor Stores, Hyde/Offarrel market, Empire Nortons, Boozeland and more. I was also very honored to have work shown in Mothbelly. I have gifted over 200 of my original pieces to the streets."
Courtesy of CJ IN TL & Hospitality House's Community Arts Program.
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Coco
Kinkeeping (2024)
Cotton and acrylic yarn
16.75 x 20.75"
"The ebb and flow of the tides that hold each other together, stronger than any glue. This, my first experiment in abstract fiber art, is an homage to my home. The give and take of cohabitation, and the struggle of keeping it all together. Asylum."
Courtesy of Coco.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
D Young V
ESTRELLA XXI (2024)
Micron 08 pen on bristol paper
19 x 24"
D Young V is a San Francisco based artist that focuses on both pen & ink portraiture and large color murals! When he isn't art making he's curating DOPE projects at 111 Minna Gallery.
Courtesy of D Young V & 111 Minna Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Daniel Chen
The Sparrow's Song (2023)
Oils on canvas
30 x 24"
Daniel Chen is a painter based in San Francisco, California. After college, he decided not to attend law School, but rather pursue his first passion. He has degrees from the Academy of Art University and California College of the Arts.
"This series is in exploration into the idea of space and its ability to shift and change.
"The Sparrow's Song" captures the moment between night and day, as dusk settles and the birds sing their day's last song."
Courtesy of Daniel Chen & Luna Rienne Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
David Polka
Messenger (2023)
Acrylic and ink on paper
16.25 x 19.25"
David Polka is a visual artist and graphic designer currently based in Oakland, CA. His practice includes illustration, interior and exterior murals, and installation. A graduate of the University of New Mexico in Albuquerque, he has been exhibiting work since 2006 in group and solo exhibitions across the US in Oakland, San Francisco, New York, Boulder, Albuquerque, Santa Fe, Anchorage, and Honolulu.
"'Messenger' draws from the visual allegories of traditional tattoo flash to explore dichotomies of choice - peace/violence, conformity/dissent, solitude/community. Rendered in muted hues punctuated by vivid accents of blood and flame, the piece reflects the conflicts we must negotiate in our relationships to one another, with the institutions that boundary our existence, and within ourselves."
Courtesy of David Polka
Preview in person at MothBelly, 912 Larkin St. SF
Debra Reabock
Jazz (2022)
Photograph on aluminum
16 x 24"
"My work is about the transformation that structures provide to the urban landscape. Architecture is my muse and is the basis for this representation. The base image is a parking lot in San Francisco that reminded me of the complexity, rhythm, and movement of music."
Courtesy of Debra Reabock
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Douggie
The King of Kings (2024)
Ink and posca markers on paper
11 x 14"
Douglas is an 8 year old artist who has been coming to the Hospitality House Art Program since he was 5 years old. He loves art and considers himself an artist. He is a monster drawer and uses art as a form of self expression and art therapy due to living in the heart of the tenderloin.
"This is a picture of Jeremy, who is an ordinary man with a courageous heart. Jeremy is not scared to fight the five headed Lewis aka 'the king of all kings'."
Courtesy of Douggie & Hospitality House Community Arts Program.
Preview in person at MothBelly, 912 Larkin St. SF
E Dyer
Singing lullabies to shooting stars (2024)
Brush and ink on panel
8 x 10"
"What does it mean to be a part of a neighborhood? How often is it we get to take a moment to stop and look around? Hi! It's nice to meet you. My name is E. I'm an artist living and working in the Tenderloin. I make paintings and zines about walking around the city. It’s a gorgeous night—come take a walk with me!"
Courtesy of E Dyer
Preview in person at MothBelly, 912 Larkin St. SF
Elaina Acosta Ford
Jorge Jetson (2023)
Colored pencil and acrylic on wood
12 x 12"
Since Elaina Acosta Ford was young, two obsessions have ruled her life: creating art and devouring music. Her days were spent with her ears glued to her boombox (these days streaming), hand furiously drawing. Her most recent pieces have been heavily inspired by nature, and she has been creating representational works with a trace of the absurd.
Courtesy of Elaina Acosta Ford & City Arts Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Ella Rose Avery
Verena’s Daughter (2023)
Acrylic on canvas
36 x 36“
"Raised and residing in the Bay Area, I am an artist working primarily in drawing, painting, and ceramics. As a 2023 graduate of SF state’s studio art department, I am grateful to be participating in the artist community I found there as well as my East Bay roots. My work is both an observation of, and expression of gratitude for my relationships and natural surroundings."
"Verena's Daughter is a portrait of my long time close friend. She sat for this painting in her child hood home while wearing a striped shirt once belonging to her mother. I made this work as we discussed the transition into early adulthood, a point of realization of what we have inherited from our parents in both our mentality and physical preparedness for life."
Courtesy of Ella Rose Avery
Preview in person at MothBelly, 912 Larkin St. SF
Emma Fenton-Miller
Attached (2019)
Ink on paper
9 x 12”
Emma is a local artist and educator. She worked for Hospitality House in the Community Arts Program from 2013-2020 and now works at Creative Growth in Oakland. Their work explores relationship and belonging in human and more-than-human realms and the alienation built into the systems of our time. Art making for her is a practice of experiencing and noticing the aliveness of the world.
Courtesy of Emma Fenton-Miller and 2727 Gallery Cooperative
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Ernie Steiner
The Lightbulb Moment (2022)
Airbrush, spray paint, acrylic, colored pencil on cradled wood panel
12 x 12 x 2"
Ernie Steiner (b. Danbury, CT, 1981) is a contemporary urban artist based in Los Angeles, CA. His vibrant paintings and murals are strongly influenced by graffiti, skateboarding, fashion, and pop culture. He has completed fine art courses at the School of Visual Art in New York and Otis College of Art and Design, LA. Steiner’s work has been featured in solo and group exhibitions across California and Arizona.
Courtesy of Ernie Steiner & Voss Gallery.
Preview in person at Moth Belly, 912 Larkin St. SF
Gabrielle Thormann
Garden Glow (2018)
Ground pigment paint on wood panel
8 x 8"
"This piece is from a series: I was seeking to express with vertical brushmarks, and experimenting to see how much I could convey with only vertical brushmarks. And, having layered in the past in oil paints, this piece uses layering to add dimension and expression."
Courtesy of Gabrielle Thormann
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Gala Sadurni
Briefcase (2020)
Acrylic and sumi ink on paper
24 x 18"
Gala is an artist living in the Tenderloin. She loves to be mysterious and Hyde in the shadows.
Courtesy of Gala Sadurni
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Greg Borman
In the Mirror #1 (2022)
Monotype on paper
19 1/4 x 19 3/8"
"The medium I work in is printmaking, specifically monotype printing. Monotypes are one-of-a-kind prints. For my In the Mirror series, I created a batch of silver ink and printed on black paper. I was thinking of a person looking into a funhouse mirror and seeing a distorted, unique vision of themselves."
Courtesy of Greg Borman
Preview in person at MothBelly, 912 Larkin St. SF
Haley Summerfield
Barbed Wreath (2022)
Ceramic, glaze
15 x 13 x 7"
Haley Summerfield is a ceramic sculptor and printmaker based in San Francisco, California with a background in public art. She holds a BFA from Southern Oregon University (2018) and an MFA from San Francisco University (2022). Her ceramic sculptures explore themes around the nature of disability, ableism, and chronic pain. She is interested in disassembling her personal narratives and reconstructing it as one that layers fantasy, abstraction, and objects to better understand the body.
Courtesy of Haley Summerfield
Preview in person at MothBelly, 912 Larkin St. SF
Harumo Sato
Zukushi rabbits: 05 (2022)
Bee wax, city-lumberjack wood, "urushi" Japanese natural lacquer
14 x 16"
Harumo Sato is a Japanese visual artist. Food and energy security, harmonious relationship with nature, and pattern designs which traveled across the Earth are the portals for her as a global nomad to reflect human history and international conflicts observed in everyday life. She holds two BFA: international relationships in Japan and Fine Art in NY, and has presented work at Eleanor Harwood, Marin MOCA, and others. She was commissioned for public art by Google, Meta and others.
"Designed to resonate with people of all ages and backgrounds, Zukushi rabbits, “filled with Rabbits” in Japanese, transcend nationalities and cultural differences, symbolizing the universal connection to nature. Rabbits, being prevalent wildlife, hold diverse symbolism across cultures – from being regarded as smart, cute, and shy to embodying concepts of meanness or holy messengers of gods. It's rare to find a culture without rabbit mythology or folklore, making them an ideal motif to represent our interconnected relationship with nature and our environment.
The material of the Zukushi Rabbits embodies ethical and sustainable practice through community engagements. “City lumberjack wood” is a collection of donated wood from neighbors, otherwise discarded. The process of collecting, processing, and utilizing the lumber becomes a catalyst for community engagement."
Courtesy of Harumo Sato and Drawing Room
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Hebert Lucio
Tómelo o Déjelo (2023)
Acrylic, oil pastel, and ink on cotton paper
30 x 32"
Hebert Lucio is a San Francisco-based artist from Los Angeles who has exhibited work at Moth Belly Gallery, Minna Gallery, Mirus Gallery, The Family Room, and John Varvatos San Francisco. Lucio’s practice explores what the American dream looks like in California as a Mexican, and much of his work in general gives a personal dimension to immigration and internationalism. Subverting sound bites, caricatures and news reports, Lucio wants to let people who have experienced something similar see themselves on a gallery or museum wall — not just for representation but for conversation, thought, joy, sorrow, even emptiness.
Courtesy of Hebert Lucio
Preview in person at MothBelly, 912 Larkin St. SF
HiERICBRO
Black & White & Red All Over (2020)
Sumi & gouache on paper
18 x 24"
Using a minimal color palette for his hand painted animals, highlights are created by allowing the paper to peek through the piece.
There is a sense of mischief and humor behind the wild eyes he paints. Using leather jackets and humanistic traits, it's easy to see yourself in many of Eric's creations.
Courtesy of HiERICBRO
Preview in person at MothBelly, 912 Larkin St. SF
Hiwa
Jupiter's Eruption (2024)
Acrylic on canvas
12 x 12"
Native Hawaiian & Black artist from the land of Ka'a'awa, O'ahu. Channeling her mana (spiritual power) into waves of paint, Hiwa utilizes gravity to create elemental art work. Her pieces are rooted in the aesthetics of the land in Hawai'i she calls home.
Courtesy of Hiwa
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Ian Paratore
White Noise (2020)
Paper and glue, stretched over wooden frame
27.5 x 23"
"My practice is about using recycled materials only. I aim to reconfigure discarded materials into beautiful works to raise conversation about how quickly we label things trash. Our consumption cycles have out grown our resources, art can be a way to talk about it."
Courtesy of Ian Paratore
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Ingrid V. Wells
Squishy Tofu (Green) (2020)
Oil on panel
8 x 8 x 1"
Ingrid V. Wells (b. Rockville, MD, 1987) earned her MFA from San Francisco Art Institute and her BFA from Arizona State University. Wells's recent paintings investigate how the elements of art can affect and improve mood. She enjoys using playful subject matter to address difficult topics including women's issues and mental health. Her work has been shown in the Bay Area at Voss Gallery, New York at the Untitled Space, PULSE Miami with Treat Gallery, internationally in South Korea at the CICA Museum and online with PxP Contemporary. Her work has been featured by The Jealous Curator, The Huffington Post, Daily Mail, BUST Magazine, El País, Create! Magazine and Teen Vogue, among others. Wells is a multiple time grant recipient from the Center for Cultural Innovation. Wells currently lives and works in San Francisco.
Courtesy of Ingrid V. Wells & Voss Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lot# 254
Iqvinder Singh
Lovely Lady (2024)
Mixed media on vintage railroad log sheet
9 x 11"
"East Bay area artist since the early 90s. My works deal with identity and migrant experiences in foreign lands. Exhibited works in various galleries and museums."
Courtesy of Iqvinder Singh
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Irene Nelson
Liminal #18 (2022)
Ink on paper
29.5 x 23.5"
"An abstract painter, I create layered and atmospheric works, offering dreamlike impressions of worlds seemingly in the process of becoming. The paintings rely on ?the acceptance that I am a part of something larger than myself."
Courtesy of Irene Nelson
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Izzy
My Lovely Lady Hunch (2023)
Ceramic, glaze
20 x 12 x 11”
"I see my art as a way to express my appreciation for different bodies and other natural forms. I’m extremely inspired by nature and unique things that come from it, and so my art is about exploring how nature intertwines with the curves of our bodies. I want to encourage others to think about different bodily disorders and find ways to appreciate different body types— textures, shapes, and all. My goal as an artist is to continue to create art with purpose and to have fun while doing it, since enjoying the process is more important than the outcome."
Courtesy of Izzy and Clay People
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Jade Zabrowski
Yolanda (2023)
Ceramic stoneware
4 x 9.5 x 4"
Jade is a sculptor of people, as actors in their own lives, as hints of what our own experiences may mean. Each person is a story.
"Yolanda is inspired by the kids in my San Francisco Neighborhood. She loves play and performing. She has an original spirit and is one of many people who turn streets and houses into communities."
Courtesy of Jade Zabrowski
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Jake Watling
High Street (2023)
Mixed media on canvas
12 x 9 x .75"
Jake Watling received his B.F.A. from the College of Visual Arts in Minnesota. He has exhibited his artwork throughout the United States and Europe. His work can be found in the Museum of Modern Art collection in New York. He lives and works in Oakland, California.
"'High Street' is a mixed media painting I created in conjuction with a collaborative book project that Paul Urich and I produced. The book entitled "Body Shop" is a collection of Paul and my photos of cars and car repair shops mostly in East Oakland, along with line drawings and typography."
Courtesy of Jake Watling and Harmer Gallery
Preview in person at MothBelly, 912 Larkin St. SF
Jane Alexander-Perry
City Shadows 4 (2020)
Oil on canvas
28 x 22”
"I started as a photographer, first commercial and then fine art. I was always interested in geometry and division of space and my photography influenced my later mixed media paintings. I have been in several shows from New York to California."
"This painting was inspired by one of my photographs in the series 'Urban Algorithms'."
Courtesy of Jane Alexander-Perry and SF Women Artists Gallery
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Janet Appleton
Snail Vine Down Her Spine (2024)
Cyanotype print & x-ray on cotton
11 x 11"
Arts Administrator by day, multi disciplinary artist by night, Janet Appleton is based in sunny San Josè and inspired by her furry companion, Jolene.
"'Snail Vine Up Her Spine' is a Cyanotype print on cotton that blends images of the Snail Vine and spinal X-rays, illustrating the intricate relationship between the human body and the natural environment."
Courtesy of Janet Appleton
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Jasper Wilde
Verdant No 14 (2022)
Acrylic on canvas
16 x 20"
Jasper Wilde, a self-taught trans nonbinary abstract artist, channels colors and layers to liberate their psyche from past repression. Raised in an evangelical family, their art rejects emotional constraints, embodying the belief that collective well-being aligns with personal fulfillment. Their work has been showcased at Superfine Art Fair, The Drawing Room Annex, and Rosebud Gallery, highlighting a career dedicated to artistic expression and societal critique.
"The art piece I'm submitting reflects my journey of personal and societal transformation through vibrant colors and layered textures. Drawing inspiration from nature, societal oppression, and personal resilience, I use unconventional tools and gestural expressions to convey the complexities of identity and societal critique. Through my creative process, I aim to provoke introspection and dialogue, inviting viewers to explore themes of self-expression, collectivism, and the pursuit of individual freedom."
Courtesy of Jasper Wilde
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Jazzi Manalo Sullivan
Racial Ambiguity (2024)
Acrylic on canvas
18 x 24"
Jazzi studied at the School of the Art Institute of Chicago and graduated with a BFA in 2019. As someone who is mixed race, she creates artwork about identity and how people of mixed race are often viewed and by society. Through her paintings, she communicates images in response to micro-aggressions that have been said to people of mixed heritage regarding their racial ambiguity. This painting is dedicated to all of the past, present, and future mixed children of the world. It is hard to find a single person or image that embodies our experience, but she hopes that "Racial Ambiguity" can be a comfort to those who have been living this experience.
Courtesy of Jazzi Manalo Sullivan
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Jessica So Ren Tang
Magnolia Bloom (2020)
Hand embroidery and acrylic on fabric
16 x 20"
"Born and raised in San Francisco, California, I explore my Chinese American identity through textile. Through embroidery, I highlight objects and motifs nostalgic to my childhood while navigating the connection between my ethnic background, gender, and sexuality."
"The figure undresses as the magnolia blooms. Expanding the floral motif beyond the skin of the figure suggests more than a sensual and vulnerable act of undress. The connection between the blooming of the magnolias and removal of clothing becomes more natural in action, navigating away from the sexual connotations of the figures pose."
Courtesy of Jessica So Ren Tang & Modern Eden Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Jim Knosp
Evidences (2018-2024)
Watercolor, dry point, engraving, oilwash
20 x 24"
"In my prints I start with a thin watercolor wash over which I mount a drypoint engraving on and then suspend colors with an oil wash. Drypoint engraving yields only a few prints no more than 10 or 15 per engraved plate so I treat my prints in different contexts. At times all prints are colored the same and at other times each print is unique. In the second section I am showing large oil pastels where I combine my skill as a musician (amateur only) and my love and knowledge of color and form. It is to the large scale symphonic literature I turn my coupled skills."
Courtesy of Jim Knosp & Hospitality House's Community Arts Program.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Jimmy McCaffrey
7th Rule of Forgiveness (2023)
Acrylic and house paint on 1.5” deep stretched canvas.
20 x 20 x 1.5"
Jimmy's artistic language revolves around the concept of fragmentation and self recomposition. Finding all the disperse facets of himself and allowing the process of paint to catch the experience his existence into the canvas.
A reflection of his own being as a kaleidoscope of elements scattered across time, body, soul, and mind. Each layer in his work serves as a symbolic fragment, capturing moments, emotions, and facets of his being. This fragmentation is not a disintegration but a deliberate deconstruction, an exploration of self that paves the way for a transformative restoration. Delving into the complexity of his existence through the rich interplay of layers.
"In the body of work “Rules of forgiveness club” I made an attempt to heal parts of myself that I haven’t had the courage to forgive for regrettable past actions and shortcomings, using color, depth and texture within a balanced and rhythmic composition. The only way for me to stay grounded in many situations is to let my flow of consciousness lead my physical body in creating works of art that effectively express whatever emotions is happening on the inside, whether that be positive negative or neutral. Painting softer and more balanced abstract compositions help me achieve the inner peace necessary to tackle challenges pertaining to symptoms of bipolar disorder. Once my mind can calm itself and slow down to a reasonable frequency, I’m more ready to think critically and rationally."
Courtesy of Jimmy McCaffrey, Strike-slip Gallery & Galeria Azur.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
John Casey
Ceci n’est pas une pipe II (2022)
Pencil and colored pencil on paper
18 x 15"
Born on Friday the 13th in 1964 in Salem, Massachusetts, John Casey started inventing creatures as soon as he could hold a crayon. Drawings from when he was 3 years old reveal an obsession with the figure. The figures in these drawings show a child’s distorted perceptions and a fascination with skulls, teeth, spinographic eyes, and invented body parts. His obsession with strange creatures continues to this day with the introduction of anthropomorphic flora and fauna to his drawings, paintings, and sculptures. John graduated from the Massachusetts College of Art in Boston with a BFA.
He currently lives in Oakland, California with his wife, artist Mary Kalin-Casey.
"Humans have a casual disregard for their environment whether urban, suburban or rural. Cigarette butts litter the planet and I imagine animals that live amongst this human waste can pick up our bad habits inadvertently. Coming across a pigeon smoking a discarded butt would not surprise me."
Courtesy of John Casey
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lot# 267
Johnny Karwan
JOYRIDE (2023)
Acrylic on baltic birch
24 x 24 x .75"
"This piece from a collection of wood cutouts (Baltic birch) is inspired by my love of freestyle pattern, and natural expression of spontaneous simplicity and flow. Each calligraphic brushstroke informs the next with an equal amount of abandon and restraint."
Courtesy of Johnny Karwan
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Jonathan Runcio
FLEEEA (2024)
Oil paint, rabbit skin glue, plywood
12 x 18"
Jonathan Runcio is a Bay Area-based artist, curator, and founder of CAPITAL (2014-2018) in San Francisco. Solo exhibitions include FAÇADE, Adobe Books, San Francisco; SQUARE BIZ, Brittany, Vallejo; GLASS IN THE GARDEN, Romer Young Gallery, San Francisco, CA; Blue Turns To Grey, Ratio 3, San Francisco, CA. His work has been included in group exhibitions at Southern Exposure, San Francisco, CA; Romer Young Gallery. San Francisco, CA; XYZ Collective, Tokyo, Japan; Saint Mary’s College Museum Of Art. Moraga, CA; Walter and McBean Galleries, SFAI, San Francisco, CA; Cue Arts Foundation, New York City, NY; Wattis Institute for Contemporary Art, San Francisco, California. In 2011 he was the recipient of the Joan Mitchell Foundation M.F.A. Grant.
"Tiny decisions of transformation that, in turn, transform our relationship to the world around us. When we begin to see the parts that make up our built environment, we can tap into a bit of that harmony, or revel in a moment of chromatic delight."
Courtesy of Jonathan Runcio
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Joseph Abbati
Artspeak: "Bearing strong reference to...", (2019)
Acrylic on canvas
12 x 36 x 1.5"
Joseph Abbati is a San Francisco based artist. His work has recently been seen at "The De Young Open" and galleries throughout the Bay Area.
"This painting is from a series titled "Artspeak." Art speak has become an elite vernacular in the art world that creates an abstract language to distance themselves from critique themselves. By placing these descriptions on top of the painting, it forces the viewer to engage with these narratives and the painted background. The viewer is seduced into making the same narrative for themselves but on revelation they become a reflection of what the art world holds in regard."
Courtesy of Joseph Abbati & an.ä.log SF.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Joseph Shook
Fire Escape (2022)
Acrylic on canvas, framed in wood
17 x 21 x 2"
Joe is a visual artist, educator, and designer based in San Francisco, CA.
He is an artist working in pencil, pen, paint, and thread, and his work ranges from intricately detailed representational works to gestural abstracts. Much of Joe’s work is inspired by the natural world, drawing reference from scientific illustration and the beauty of the San Francisco Bay Area landscape.
Courtesy of Joseph Shook
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Juliet Schreckinger
Boreal (2024)
Ink, graphite, and acrylic on Arches paper mounted to birch panel, varnished
8 x 8"
Juliet Schreckinger is a Long Island, NY based artist whose work is centered around giving a voice to nature and animals, with the goal of showcasing their importance in this world. Through an illustrative take on fine art, she strives to express a story in each drawing. Her work has been featured in both national and international publications, magazines, and galleries with participation in both group and solo exhibitions.
Courtesy of Juliet Schreckinger and Modern Eden Gallery.
Preview in person at Rosebud Gallery, 839 Larkin St. SF
K.Banks
Untitled (2024)
Watercolor
12 x 16"
"I have been teaching myself watercolors for 2 + years. From the first time I picked up the brush, I knew I love this medium."
"For work, I drive a truck around the greater bay area, many of the views I see are often where I feed my inspiration. From mountain sunset over the skyline to buildings that touch the sky."
Courtesy of K.Banks
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Kate Laster
safety + care (2023)
Spray paint on papercut
12 x 12"
Kate Laster is an artist, educator and critical historian from Alaska now based in Oakland.
Working either monumentally or intimately small, Laster makes generative projects connected to the weight of the past, human migration and the effervescent exhaustion of everyday love. Her papercut practice is reflected in one of a kind books and agitprop multiples using non-linear storytelling to acknowledge unseen yet deeply felt emotional labor. Laster was a studio assistant at Hospitality House’s Community Arts Program and currently works at NIAD as a studio facilitator.
Courtesy of Kate Laster
Preview in person at MothBelly, 912 Larkin St. SF
Kate Razo
Elk, Revealed (2023)
Oil on wood panel
18 x 28"
"I am a self-taught artist, bookseller and educator. I moved to San Francisco in 1985, and continue to enjoy and support our local arts and cultural communities. I have owned and managed Dog Eared Books on Valencia Street since 1992."
Courtesy of Kate Razo and The Drawing Room.
Preview in person at MothBelly, 912 Larkin St. SF
Katie Seifert
calla lilies, blue & roses (2024)
Acrylic on wood
11 x 14"
Katie Seifert is an American painter based in Oakland, CA. In her work, Seifert explores moments where we teeter on the edge of transformation. Often depicting evocative scenes drawn from her real life as a labor & birth doula as well as abstracted scenes of nature, she creates works that represent moments of intensity and impermanence using bold colors and expressive brushstrokes. Her visual works have been featured over the years at various galleries, stores and block parties in San Francisco, Oakland and Berkeley.
"This particular piece represents moving into the next season of life. With the seasonal explosion of calla lilies in Oakland each year comes with it a time of renewed energy and a sense of reaching into the sun and out of the cold. Growing up my mom would plant these bulbs in the earth and then we would forget about them, only to be greeted by then each year come Spring. They have always been a symbol of comfort & hope for me."
Courtesy of Katie Seifert
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Kenneth Leland
"Trogan Whale" (2023)
Acrylic on canvas
16 x 18"
Kenneth Leland is an artist born in Connecticut and moved to San Francisco in 2020. He has been an active community member at the Community Arts Program for over six months and has been developing his abstract painting style. The beauty of San Francisco has inspired his color choices and subject matter.
Courtesy of Kenneth Leland
Preview in person at MothBelly, 912 Larkin St. SF
Kristian Kabuay
Niharika (2020)
Mixed media
12 x 12 x 1"
Kristian is an artist/entrepreneur/futurist specializing in endangered writing systems from the Philippines. As a leading authority for the propagation and instruction of prePhilippine scripts, he launched his own edutainment business specializing in custom art, books, events, technology, and apparel. Kristian has spoken around the world at museums, schools, and companies. His work is wide-reaching that spans across multimedia, traditional practices, and technology. He is currently working on his 8th book, 2nd documentary, education startup, and a traditional tattooing practice.
Courtesy of Kristian Kabuay and Voss Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Kseniya Makarova
Permission Granted (2024)
Watercolor, pencil, and iridescent paper on archival paper, mounted on wood panel
9 x 12"
Kseniya Makarova is a San Francisco artist, muralist, and designer. Her work has been displayed at the de Young museum, Minnesota Street Projects, and San Francisco City Hall, as well as gracing walls around San Francisco and the greater bay area in public and private mural projects. Kseniya is a Senior Adjunct Professor at the California College of the Arts, which is also her alma mater.
Courtesy of Kseniya Makarova
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lacey Johnson
Raggedy Ann Fingernails (2021)
Acrylic and mixed media on canvas
24 x 16"
Lacey Johnson is an interdisciplinary artist, cultural worker and collaborator. Her work is grounded in elevating the everyday to embody the cosmic and divine through accessible mediums.
Courtesy of Lacey Johnson
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Lakshmi Karna
Dusk at Stow Lake (2017)
Acrylic on canvas
36 x 36"
Courtesy of Lakshmi Karna
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Lara Dann
Fire (2020)
Acrylic on panel
13 x 13"
Lara Dann is a talented American artist who creates amazing paintings that depict fantastical figures in the midst of contrasting themes – such as light and dark, lust and innocence, knowledge and naivete. Her work is inspired by vintage and antique wallpaper tapestry which is featured in most of her underlying work.
Courtesy of Lara Dann & Modern Eden Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Laura Campos
Happy candy bowl (2023)
Ceramic
8"
Laura Campos (AKA "Alien love" ) is an international artist painting around the world and has been part of HH for the past 15 yrs.
"A happy candy bowl is always nice to have for guests in a party!"
Courtesy of Laura Campos and Hospitality House's Community Arts Program
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Laurie Blessen
Passage 24 (2024)
Oil based inks on archival paper
35 x 24"
"It was years ago at Community Arts Program where Txutxo Perez relit my love of printmaking. I now have my own press and show work nationally."
"The Passage series is my expression of moving through the many phases of my life. "
Courtesy of Laurie Blessen
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
LeadHead
Aura (2024)
Posca paint markers
12 x 16"
"Conceptually, Aura, in part, is a physical depiction of a migraine. I often listen to a movie while creating—in this case it was Oldboy (2003)."
Courtesy of LeadHead
Preview in person at MothBelly, 912 Larkin St. SF
Lena Wolff
A New Sun (2021 / edition of 40)
4 color screenprint, hand-pulled
20 x 20"
Lena Wolff is a visual artist, craftswoman, and activist who has lived and worked in the San Francisco Bay Area since the early 1990’s. Her work extends out of American folk-art traditions while also being connected histories of minimalism, geometric abstraction, Op art, social practice, feminist and political art. Her broad interconnected artistic output includes drawing, collage, sculpture, text-based works, frequent collaboration, and public projects.
"This piece is part of a larger body of work from Lena's studio that adapts historic American quilt patterns into a wide range of approaches in drawing, collage and sculpture. Rooted in a pattern called the Golden Dahlia that first appeared in quilt magazines the US in the 1930's, a New Sun was made as a four-color screenprint to commemorate the start of the new year in 2021. The artist's fascination with quilts stems from their inherent spellbinding capacity to mesmerize and their presence as a democratic, accessible artform practiced across communities in the United States for centuries, tapping into a shared visual language symbolic of collective action and imagination."
Courtesy of Lena Wolff and the Sarah Shepard Gallery. Framing courtesy of Small Works SF.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Leslie
Glass X 2 pieces (2024)
Ceramic, glaze
5 x 4 x 7"
"I came to the Hospitality House Community Arts Program and fell in love. This community actually saved my life."
"I let my pieces create themselves. There is very little planning involved in my process."
Courtesy of Leslie and Hospitality House's Community Arts Program.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Leslie Lowinger
A pencil for Getting Things Done - from the Series Objects to Reduce Anxiety (2016)
Etching on paper
10 x 36"
Leslie Lowinger was born in New Orleans and grew up in Detroit. Her work has been shown various in places including: the Janet Turner Print Museum, the Bronx Museum, Fashion Moda, and the Detroit Institute of Arts. Her work is in the various collections including the DIA Foundation, and the Library of Congress.
"About my series 'Objects to Reduce Anxiety': These pieces were created to help the viewer feel more powerful, more in control. Who knows how much we could accomplish if we could just calm down?"
Courtesy of Leslie Lowinger & Chemers Gallery.
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Leslie Morgan
Egg (2023)
Acrylic, resin on wood panel
20 x 20"
"Most of my work is about Water. I was raised in the desert and had asthma and being a swimmer saved my health and my happiness!"
"Using resin works well with my watery themed work and this piece comes from the series Water Vessels. It is a cheerful, relaxing piece!"
Courtesy of Leslie Morgan
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lillian Shanahan
The upgrade (2023 ; Ed. 5/15)
Linocut print
16 x 20"
Lillian Shanahan is a multimedia artist from San Francisco. She received her BA in art from University of California Santa Barbara College of Creative Studies.
"I am a pattern seeker. I look for repeating information in my environment, collect this data and later draw conclusions from what I find. The series “The Upgrade” came from repeatedly seeing discarded personal items on sidewalks in San Francisco. I am a big proponent of reusing, donating, and free exchange. However, the magnitude of "donated" street items struck me as a perversion of generosity. It's not goodwill, but overconsumption stemming from a lack of personal responsibility. Like most things left outside for too long, I watched as the environment began to absorb and reclaim them. This is why I used local graffiti and street art in the series, to create another layer of conversation about the discarded and unwanted."
Courtesy of Lillian Shanahan
Preview in person at MothBelly, 912 Larkin St. SF
Linda Larson
Long way from home. (2024)
Oil on panel
10 x 8"
Larson sold out her recent solo art exhibition and had one of her paintings selected for the 2023 De Young Open.
Courtesy of Linda Larson
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
livia
Red Man with Bird (2023)
Oil on panel
24 x 24"
"I am a painter and do mixed media work as well. I have been working and teaching I the Bay Area for 30 years. My work has been exhibited widely in the United States and elsewhere.
I give a respectful nod to surrealism and irreverence in my work."
Courtesy of livia and Transmission
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Liz Mamorsky
Mackerel Sky at Twilight (2021)
Photo print: dye sublimation on metal
12 x 12"
"Since graduation from Bennington College in 1960, I have exhibited my unique reclaimed materials sculpture, studio furniture, visionary paintings, drawings and photography nationally and internationally, starting with The International Young Artists Exhibition in Osaka, Japan. My work resides in numerous public and private collections including: Tonellerie Taransaud, Cognac; The Spertus Museum, Chicago; The Oakland Museum of California, Sony Corporation, First National Bank of Arizona, Francois Freres, St. Romain, France, and Paramount Pictures for the set of Star Trek: Voyager."
"I am an urban explorer, fascinated by the photographic possibilities of everyday life. Drawn to the strange and quirky, I feel like I'm living in a film, framing shots as I move along, my painter’s eye visually reclaiming bits and pieces of the environment. The streets are teeming with all sorts of wonderful images just waiting to be captured; serendipitous events of irony, beauty, humor and pathos.…I love them all!"
Courtesy of Liz Mamorsky
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lora Danley
Village Funk (2020)
Metal c-print
12 x 18"
"The piece is called Viilage Funk in part because most of the images contained in it were shot from the graffiti and paint drippings in the East Village of New York City. Various images were blended together on the computer, while erasing some parts and amplifying others. The red and white lines throughout the image give a feeling of vibrance and movement, while the darker tones of blues, blacks, and browns, give a more calming and hypnotic feel."
Courtesy of Lora Danley
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lucky Rapp
“IN ORDER TO EXCEL…” WILLIE MAYS (2023)
Mixed media, resin, found object
12 x 12 x 2.5”
"My work combines inquisitive, whimiscal statements that play with both language and the potency of graphic communication, while pushing the three-dimensional nature of layered resin forms."
"From Babe Ruth to Jackie Robinson, to Yogi Berra, to Willie Mays, to Hank Aaron, and to all the quotes and idioms throughout time, we celebrate America’s greatest pastime to this very day. From the “Say Hey Kid”, to the breakthroughs of Jackie Robinson, the trailblazer of equality, to the “GOAT”–we observe throughout history the game of Baseball as it reflects life, as it parallels through the words and quotes from the greatest players of all time. My series, ‘PLAY BALL!’, reflects the past as it relates to the present. It is a study of the relationship between our lives throughout history and “the greatest sport of all time”, as Babe Ruth said."
Courtesy of Lucky Rapp
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Lump
"Rafael Dudley" (2023)
Acrylic on wood
16 x 20"
Matt Lumpkins is a painter who has been making art since childhood. He has been a community member at CAP for two years and is influenced by comic books.
Courtesy of Lump & Hospitality House Community Arts Program.
Preview in person at MothBelly, 912 Larkin St. SF
Maja Planinac
Thoughts (2016)
Metal print in a black frame
19 x 13"
"I find a way to express what is inside of me through surreal self-portraits. Once I discovered photography, it felt like I had found my voice, and I began to communicate—not just with others through my work but also with myself. The process itself is intimate. I capture the emotion that resembles what I feel. I don't show my face in my work, leaving space for others to see themselves."
Courtesy of Maja Planinac & the Pamela Walsh Gallery.
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Mario Navasero
Vessel of Happiness #1 (2022)
Acrylic & spray paint on wood
12.5 x 15.5 x 2"
Courtesy of Mario Navasero and Voss Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Mary Kalin-Casey
Inside/Outside I (2022)
Acrylic on panel
31 x 25”
"My previous series, Dressed, explored themes of isolation while also playing with pattern in abstract compositions. Inside/Outside continues that emotional focus in more narrative, personal settings. All of the subjects in this series face an internal debate, asking themselves, 'How ready am I to face the world?'"
Courtesy of Mary Kalin-Casey
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Maureen Shields
Gastropods, Polyplacophorans, and Cephalopods (2023)
Mixed media on wood
24 x 24"
Artist Maureen Shields was born and raised in Southern California. She earned a BFA in Drawing and Painting from California State University Long Beach and a MFA from New York University.
She makes mixed media works on wood that combine paint, collage, handmade stickers, gold leaf, and glitter. Her printed matter and source material range from vintage LIFE magazines from the 1950s to vintage Playboy magazines from the 1970s and 80s.
Courtesy of Maureen Shields
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Mayetta Steier
Skating Bird Candelabra (2024)
Ceramic
15 x 8 x 3"
"I create functional ceramic ware that is meant to serve the inner child in every person. Bringing as much joy and silliness as possible into the world is my prerogative. The healing power that creating with clay can foster has led me to want to bring more people into the clay world through collaboration and teaching."
Courtesy of Mayetta Steier
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Michael Campbell
Natura Naturans: The Garden (2021)
Mixed media
8 x 14 x 11"
Courtesy of Michael Campbell & Modern Eden Gallery.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Midori
Hannya (2022)
Ceramic, glaze, rope
10 x 10"
Midori is a local interdisciplinary artist who works across a range of media that includes, ceramics, painting, soft sculpture and collage. She has been a community member at the Community Arts Program for over 17 years.
Courtesy of Midori & Hospitality House’s Community Arts Program.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Miklos
Party out of bounds (2021)
Lead free ceramic
13 x 13 x 4.5"
New York, London, Paris, Munich. Miklos has been creating art in the Tenderloin for over 35 years.
"Work inspired by the great Peter Shire"
Courtesy of Miklos and Hospitality House’s Community Arts Program
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Miles Epstein
Incline (2022)
Mat board with artist made frame
14 x 22"
"Incline is made of cut and assembled blocks of mat board. The works explores the weight of color and the perception of movement."
Courtesy of Miles Epstein and an.ä.log SF
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Miriam Klein Stahl
16th street (2024)
Woodcut and watercolor
12 x 13"
Miriam Klein Stahl is a Bay Area artist, educator and activist and the New York Times-bestselling illustrator of Rad American Women A-Z and Rad Women Worldwide . In addition to her work in printmaking, drawing, sculpture, paper-cut and public art, she is also the co-founder of the Arts and Humanities Academy at Berkeley High School where she’s taught since 1995.
Courtesy of Miriam Klein Stahl
Preview in person at MothBelly, 912 Larkin St. SF
Misia Soup
starlite (2022)
Acrylic and screen printing ink on poster paper
22" x 29"
Artemisia Farris (aka Misia Soup) is an artist born and raised in Fri$coooo <3 She works primarily in illustration and painting but also sometimes works in textile, ceramics, photography, writing, and tattooozeee. Her biggest inspirations are dreams, subconscious, and all of the amazing people that she is so lucky to call her art family and community :0)
Courtesy of Misia Soup and Space Between Gallery
MrBlack
Cultivate (2022)
Screen print ink on paper
12 x 18"
Micah Black, is a multidisciplinary visual artist versed in painting, printmaking and large scale murals.
Originally from Oklahoma, Black grew up in Northern California, where he was influenced by comic book art, graffiti and 20th-century art movements at an early age.
He combines aspects of these influences to create a unique hieroglyphic style using tessellate shapes, symbols and colors to construct a landscape that reads like a haiku of pictographs. His work explores themes centered around the interconnection of living things, self-perception and mythology.
Several of his works can be found at home and abroad through mural projects, art shows and his own curated events.
"'Cultivate' is a hand made screen print. The art is part of my first ever series of paintings on paper. The content and imagery within each piece circled around life during 2020 and 2021 when Covid 19 was a part of everyday life."
Courtesy of MrBlack & 111 Minna Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
n.jasper
Golden Home (2024)
Watercolor on paper
30 x 22"
https://www.njasper.live/about
Courtesy of n.jasper
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Nathan Kosta
Sunset Over the Golden Gate Bridge, From Grizzly Peak Blvd (2017, 3/5)
Archival photographic print, walnut frame
24 x 18"
Nathan Kosta is a visual artist, educator, and photographic technology researcher. His work explores issues relating to surveillance capitalism, photographic image recognition, machine learning, and land use. He currently teaches photography at San Francisco State University.
Courtesy of Nathan Kosta
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Nathaniel J. Bice
Architectural Abstraction: Purple (2022)
Acrylic on wood panel
16 x 16"
"My paintings encourage their viewer to celebrate the beauty in their environments, and in the Bay Area specifically. I look for new perspectives on everyday sights and things, and play with the border between literal observation and subjective interpretation. I am exploring simplification, abstraction, and blending my sense of realism with a taste of invention."
Courtesy of Nathaniel J. Bice and an.ä.log SF
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Nic Griffin
Margo (2021)
Acrylic on canvas
16 x 20"
"I am a San Francisco based mixed media artist creating Paintings, Sculptures and Assemblage works. I have also built giant puppets for street fairs and Trashion designs for runway shows. My Trashion name is Lotta Rubbish!"
"This painting is a portrait of my Mother added to a Plein Air painting of the Golden Gate as viewed from near the Legion of Honor museum."
Courtesy of Nic Griffin
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Nick Despota
Photosynthesis (2022)
Acrylic eyeglass lenses, brass
9 x 23 x 6"
"I made art when I was a young man, exhibited, received an MFA from a top-ranked art school — then stopped. To help support my family with a more reliable income, I developed a career in electronic media work; video, web design. Now retired, I’m again cultivating the practice of making art objects."
"'Photosynthesis' was inspired by the leaves of trees, which both collect and refract light. And like a tree, a viewer can appreciate both by looking at it and looking through it."
Courtesy of Nick Despota and an.ä.log SF
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Nick Melle
Bacon Street Overpass (2023; Ed. 2/5)
Archival pigment print
18 x 24"
"I am a San Francisco based artist working in photography, collage, and multimedia. My current photographic work is focused in and around the southeast neighborhoods of San Francisco. Photographing my neighborhood has been a way to try and find a new relationship to spaces I have increasingly found myself overlooking or disconnected with in my daily life."
Courtesy of Nick Melle
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Nicole Hayden
Fresh Like Springtime (2022)
Acrylic and gold leaf on panel
16 x 16"
"This is the first piece of a new series where I focus on foliage as pattern. Using vintage Playboy magazines as my reference, I reinterpret the playmate into a new figure-ground relationship."
Courtesy of Nicole Hayden
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Nicole Shaffer
Untitled (2024)
Mixed media on ceramic
3 x 2 x 2”
Courtesy of Nicole Shaffer
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Noelle Castro
Intuition (2024)
Ceramic, glaze, beads
7 x 12"
"I work in many meduims all of them speak to me, different voices speaking the same language. The topics vary so I find it best to listen to what my works says to you."
Courtesy of Noelle Castro
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Olivia Cunningham
Giddy up cuff (2024)
Sterling silver, vintage turquoise.
2.5 x .5”
Olivia Cunningham is a SF based metalsmith who grew up making leis with her aunties and beaded geckos during the summer. She has been a metalsmith for the past 5 years.
Courtesy of Olivia Cunningham
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Pablo Bautista
Footprint (2024)
Archival pigment print
18.25 x 22.25 x .75"
"As a street photographer, I am drawn to chance and to happy accidents. I am inspired by the stories that emerge from making photographs of such found objects."
Courtesy of Pablo Bautista
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Patricia Araujo
Golden Gate Theatre II (2013)
Oil on panel
18 x 24"
"While living in San Francisco’s SoMa (South of Market), I witnessed the changes taking place in this redeveloping neighborhood and found myself enchanted by the rich architectural history of that area and the decayed beauty that remains. For over a decade, I’ve painted the facades of both iconic city landmarks and downtown buildings. My fascination with domes, towers, sacred and municipal structures began with daily observations of the Golden Gate Theatre at Sixth and Market.
"Golden Gate Theatre II” (oil on panel) features a cropped side view of the theatre seen in abstracted shapes and painted in bright tones under an emerald-green sky. The Golden Gate Theatre, a marvelous Art Deco structure and dome with spike atop, was built by G. Albert Lansburgh in the 1920’s and it showed silent films for over 50 years. During the 1960’s, it was converted into a two-screen theatre, and it was later restored as a single auditorium. The theatre reopened in 1979 as a Performing Arts Center and to this present day it continues to host performances. A glorious theatre to visit!"
Courtesy of Patricia Araujo
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Philippa Renshaw
Material movement (2024)
Hand embroidery and freehand machine embroidery on digitally printed fabric on canvas
10 x 8"
Philippa Renshaw is an Artist, Designer, Maker, based in San Francisco. She creates surface patterns by employing often undervalued printmaking and textiles processes.
Renshaw holds an MFA from San Francisco State University, USA, along with an MA in Design Futures and a BA in Textile Design both from Cardiff Metropolitan University, UK.
"Living in a neoliberal capitalist society, I mourn the loss of quality. In my work I illuminate the relevance of handcrafts in a technological world through in-depth exploration of materials and techniques to create surface patterns. Choosing to focus on the mundane pleasures that can be observed when we slow down and take in our physical surroundings, I look for joy in the chaos of daily life, operating between risk and certainty."
Courtesy of Philippa Renshaw
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Phillip
Blueprint 3D (2024)
Ceramic
14 x 14 x 14"
"My name is Phillip and I am a ceramicist. This is my first time doing this. I want to bring my creation to life."
Courtesy of Phillip & Hospitality House's Community Arts Program.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Renée DeCarlo
Contact Tracing (2021)
Ink and pigment on wood panel
24 x 24 x 2"
"This piece was one of created during the COVID shutdown and represents one of many weeks I focused intently on a piece of work, letting all of the emotion, confusion and new knowledge be processes through my drawing and mark making week. The series was in hopes to document each new week that emerged - full of new terms, fears and realities. The terminology inspired new ways to interpret the meaning of the words themselves. "Contact Tracing" - in this piece I focused on using the foundation marks to drive the marks and pigments that followed, allowing them to trace the lines and places where wood and ink meet."
Courtesy of Renée DeCarlo & The Drawing Room Gallery.
Preview in person at MothBelly, 912 Larkin St. SF
Reza Alhosseini
Borders of The New World #5 (2020)
Mixed media on canvas
14 x 14"
Reza Alhosseini is an Iranian Contemporary Painter based in San Francisco, California.
"The catastrophic civil wars that are happening in the Middle East inspired me to create this painting series."
Courtesy of Reza Alhosseini & Luna Rienne Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Robert Bowen
Up Front Impersonal (2020)
Acrylic on canvas
30 x 40"
Robert Bowen is a visual artist based in San Francisco, CA. He got his start in the graffiti and street art scene before shifting to focus on fine art. Bowen has exhibited his work throughout the U.S. and abroad for over twenty years. His work has been shown at galleries and museums, including the de Young Museum, the Crocker Art Museum, 111 Minna, Luna Rienne, and Modern Eden.
"I have so many questions about the future of the natural world and what role humans will play in it. How will we try to solve problems like rising ocean temperatures or colony collapse disorder? Will we intercede by creating mechanized replacements of the animals we lose?
In my “Machines” series, I meld animals with machinery, playing mad scientist in a laboratory that should never really exist. . . are these just surreal visual experiments, or do they foretell a tragic, not-so-distant future?"
Courtesy of Robert Bowen
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Rocky Angel
Phantom Dirt (2005)
Oil on canvas
28 x 22"
"A reflection on the role organized religion, and the expectations of society that go with it, in a young person's life."
Courtesy of Rocky Angel
Preview in person at MothBelly, 912 Larkin St. SF
Rosa Lumina
Bas-Reliefs of SF Flash Sheet (2023)
Micron and ball point pen on coffee stained watercolor paper
13 x 19"
"I am a twenty-six year old tattoo artist from rural Northern California. I have been drawing and painting all my life, but what I love about tattooing is that it requires working with another human being to make it possible. With tattoos we get to live and breath with the art everyday."
"I take long walks through the city and started taking photos of the unique details on old San Francisco buildings. I love these ornate, yet everyday markings of the city, and wanted to make them into tattooable designs. Traditionally, flash sheets are laid out on hand stained watercolor paper so that is what I did. I would like to add in this auction piece the opportunity to get one of these designs tattooed by me. I work at Black and Blue Tattoo, a legacy tattoo shop in the Mission."
Courtesy of Rosa Lumina
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Rouz
Speechless (2024)
Oil on canvas
12 x 16"
"I am an oil painter who has been practicing for the past 20 years. Yet recently, I have decided to take my technical ability to the next level by studying the academic pursuit of classical arts."
"This piece, which was painted of a cast still life, represents to me what it might feel like inside when we are out of words to express ourselves."
Courtesy of Rouz
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Ryan De La Hoz
Bull On Parade (2023)
Digital collage with raised foil overlay
18 x 24"
Ryan De La Hoz has lived in San Francisco for 19 years. His work has been exhibited worldwide and published by Juxtapoz, IdN, Tunica, Gestalten, the SF Chronicle, and the New York Times.
"Weapons not food, not homes, not shoes
Not need, just feed the war cannibal animal
I walk the corner to the rubble that used to be a library
Line up to the mind cemetery now
What we don't know keeps the contracts alive and movin'
They don't gotta burn the books they just remove 'em
While arms warehouses fill as quick as the cells
Rally 'round the family, pockets full of shells"
Courtesy of Ryan De La Hoz
Preview in person at MothBelly, 912 Larkin St. SF
Sabreena Haque
(2022)اعزازی نشان
Photograph of hand drawn mehndi patterns
11 x 17"
Classically trained mehndi artist and tattooist based in San Francisco. Sabreena Haque puts a modern twist on a classic art form.
"Ephemeral patterns written on skin with natural elements using cross cultural inspiration. These designs are worn with honor and have been enriching skin for lifetimes. Photography credit to Tiana Hunter."
Courtesy of Sabreena Haque
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Saly
New life in darkness meeting loved ones (2023)
Oil pastel
"My art is an expression of my soul every drawing I create tells a story of my inner self. "
"This art piece was created as I was going through tough times and it tells a story of a new chapter of life."
Courtesy of Saly & Hospitality House's Community Arts Program.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Sam Cheng
Mok Kok Station (2023)
Acrylic paint on canvas
11 x 14"
"I have been making art at the Community Arts Program for one year and I enjoy to paint. I draw inspiration from the architecture in Hong Kong and SF. I will spend many weeks on a single painting working on all the details while I listen to music."
Courtesy of Sam Cheng & Hospitality House's Community Arts Program.
Preview in person at MothBelly, 912 Larkin St. SF
Sanaz
Chooqa II (2024)
Acrylic on canvas
32 x 24 x 1"
Maryam “Sanaz” Safanasab (b. Tehran-Iran) is a visual artist whose work is rooted in exploration of hybridity and the concept of opacity within cross-cultural contexts.
Safanasab holds an MFA in Art from San Francisco State University and received the Cadogan Contemporary Art Award and the Graduate Student Award for Distinguished Achievement, among others. Her work has been exhibited at SOMArts, 500 Capp Street, SFAC, and more.
Courtesy of Sanaz
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Sasi Kladpetch
Inner Circle #8 (2022)
Concrete, moss and soil
11.75 x 11.75 x 2"
Sasinun Kladpetch is a San Francisco based multimedia artist. She was born and raised in Bangkok, Thailand. Kladpetch received her Bachelor’s degree in Decorative Art at Silpakorn University, Bangkok, Thailand. In 2016 she graduated with a Master’s degree from San Francisco Art Institute, California.
"I have been experimenting with materials such as clay, soil, plaster, concrete, plants etc. My works has involved the creation of conceptuality based on natural materials. I decide to use raw materials collaborate with human-made materials to show the coherence of beauty."
Courtesy of Sasi Kladpetch
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Sawyer Arkilic
Hungry/Love #flipside (2024)
Colored pencil on paper
11 x 14 "
"This piece can be viewed right-side up or up-side down which represents the flipsides of our feelings and moods that change day to day. Specifically, I find myself thinking about the relationships in my life (love) and at other times I find that my stomach is rumbling (hunger). I use symbols and patterns in my work which people can decide if they hold positive or negative meanings. Just like life, I like my art to include both sides."
Courtesy of Sawyer Arkilic
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Scott Solano
Untitled (2020)
Mixed media on canvas
16 x 20"
"My name is Scott Salano and I am an artist. I have always been an artist but it hasnt been until the last year or two that I have called myself that. Now I know and I am so confident to say that I am an artist."
"This art piece was made in 2020 in a crowded cluttered space. I was figuring out my style and what mediums I like and I think its a good piece that represents my growth. Thank you HH for everything!"
Courtesy of Scott Solano & Hospitality House's Community Arts Program.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Shady Clay
Daisy Vase (2024)
Colored porcelain
8 x 10”
"My upbringing around textile arts as well as having an engineer father led me to a career in apparel design. I love to build with my hands and cannot ignore my fascination with color and pattern. I recently found the technique of Nerikomi- colored clay and pattern work and fell deep into exploring the opportunities which ceramics and. colored porcelain in particular have to offer."
"This colorful clay vase I made is a bit of a mash-up of my family's quilting legacy and my career in apparel design. I've woven vibrant hues and intricate patterns into its curves, kind of like a quilt in 3D. Drawing on my fashion background, I've played with colors and designs to give it that extra pop and emotional vibe. Coloring the porcelain, creating pattern blocks which I then slice and form into a mold is a process at brings me great satisfaction and constant surprise."
Courtesy of Shady Clay
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Shannon Taylor
Ghost of the Pond (2024)
Hand cut watercolor diorama in antique sewing kit
1.75 x 1.5 x 1.5"
Shannon Taylor is a painter, illustrator, craftsman and educator based out of Oakland, California. She is the Assistant Chair of the Illustration Program at the California College of the Arts, and has also been the long-time Director of Art and Restoration at Children’s Fairyland in Oakland. Taylor exhibits her work extensively with galleries Arch Enemy Arts in Philadelphia, Modern Eden in San Francisco, as well as Haven Gallery in New York, and Beinart in Australia.
"This miniature diorama is assembled out of dimensional watercolor paintings, which have been hand-cut/formed and fitted into an antique, travel sewing kit. The outer container is made to look like a silvered, scale walnut, while the inner diorama depicts a solitary ghost, looking over a forest pool."
Courtesy of Shannon Taylor, Modern Eden Gallery & Arch Enemy Arts.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Sherri Lu Campbell
Feux d'artifice (Fireworks) (2021)
Garnet; turquoise; aquamarine; mixed media on Japanese bamboo paper
57 x 15"
Sherri Lu Campbell (b.1985) is an award-winning American painter and visual artist from New York City. She blends several traditional techniques from printmaking, water-based painting, and both Eastern and Western calligraphy foundations to create contemporary abstract paintings. Her work has been publicly acquired in London, San Francisco, NYC, Houston, TX, and British Columbia, Canada.
Courtesy of Sherri Lu Campbell & Hospitality House's Community Arts Program.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Shikha Hutchins
Lucky You (2024)
Glazed ceramic
10.5 x 5.5 x 5.5"
"I am an artist and teacher living in San Francisco. My work was shown most recently at the Midway SF Gallery, where I was an artist in residence. "
"Lucky You is a hand built ceramic piece that calls upon the memory of that first childhood pet. Goldfish represent luck and prosperity and are considered warm, friendly companions. Lucky You invites the viewer to reconnect to a childlike sense of possibility."
Courtesy of Shikha Hutchins
Preview in person at MothBelly, 912 Larkin St. SF
SHMDNA
The Tenderloin (2023)
Acrylic canvas
10 x 20"
"The artwork is dedicated to the people of color's revitalization effort of the SF Tenderloin. The effort is permanently on going."
Courtesy of SHMDNA & Hospitality House's Community Arts Program.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Shrey Purohit
Nightwalks In Ingleside (Corner of Gogo 7) (2023)
Acrylic on canvas
20 x 20"
Mumbai-born Shrey Purohit, now in San Francisco, BFA from California College of the Arts, urban-landscape painter. Inspired by urban chaos, Shrey has won the PleinAir Salon Award twice. He turns the mundane city life into magical cityscapes.
"This artwork captures my love for night walks in Ingleside neighborhood of San Francisco."
Courtesy of Shrey Purohit
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
silvia poloto
Beauty and the Inner Beast - Reflections on Archetypal Symbolism : PATH/ROAD (2023)
Acrylic and photography on wood
Silvia Poloto, a talented and prolific Brazilian-born mixed media artist, self-taught and inner directed, is not a product of America's art higher-education system, she is an artist committed, almost defiantly, to self-expression and emotion. Her work has been exhibited throughout the US and abroad and resides in many corporate collections several hundred private collections.
"The paintings in "Beauty and the Inner Beast" allude to Classical and Renaissance allegorical paintings (with their symbolic nudes and moral lessons), but outside the belief systems of the past, open to free association and thus more fitting for contemporary culture. They imagine a world of memories, dreams and reflections safe for and saved by the feminine virtues of sensitivity, empathy and compassion."
Courtesy of silvia poloto.
Preview in person at Rosebud Gallery, 839 Larkin St., SF.
Some Lady
Grounding Portal (2023)
Acrylic & latex paint on canvas
8 x 8 x 3"
Courtesy of Some Lady & Voss Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Sonny
Sheba (2023)
Prisma colored pencilsm ink, on thick cardstock
11 x 15"
"I was paroled from San Quentin in May 2022 after serving 29 years. The first 13 was totally negative. Hating, fighting, administrative lock downs. I was subsequently then introduced to the prisons arts in corrections program and it changed my life from negative to positive behavior. From destructive to creative. From dark to colorful and its still colorful."
"On this particular piece I used black ink to start with and then laid down the prisma colored pencils on watercolor card paper. Other mediums I enjoy working with are watercolors and Acrylics, and pointillism."
Courtesy of Sonny & Hospitality House's Community Arts Program.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Sophia Lee
Hive (2024)
Cut paper waste with mixed media on paper, board and box
10 x 10 x 2.5”
Sophia Lee is a Taiwanese American multi-media artist working in San Francisco. She loves nature, and spends many hours hoarding waste to create her beautiful layered calligraphic paintings. She works in various mediums from encaustics (beeswax), acrylic, weaving plastics, scratch boards, to Chinese ink on paper. Her murals and installations can be found all over the Bay Area and SoCal.
"I’m always salvaging materials from landfill, and they in turn inspire me to create the next project. The hive like shapes on this paper that’s used to keep food cold gave me the idea to create something more dimensional."
Courtesy of Sophia Lee
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Steph Kudisch
transverse wave vessel 2 (2022)
Glazed ceramic
2.75 x 6.5 x 6"
Steph Kudisch is a trans genderfluid artist whose work uses mutated intertidal aesthetics and personal storytelling to dwell in in-betweens. Focusing in screenprint, analog + digital sound, and ceramics, Kudisch received their MFA as well as the Isaac M. Walter Sculpture Prize from the San Francisco Art Institute in 2018. They work as a teaching artist as well as a 1:1 Instructor at Creative Growth Art Center.
Courtesy of Steph Kudisch
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Steve Javiel
Taking the Leap (2021)
Acrylic, oil pastel & spray paint on wood panel
20 x 16 x 1.5"
Steve Javiel (b. Los Angeles, CA, 1981) is an urban impressionist painter based in the San Francisco Bay Area. He holds a Bachelor of Fine Arts degree in painting from the Academy of Art University in San Francisco, CA, and participates in exhibitions along the West Coast.
"The strong presence of color in my abstract flower paintings is a celebration of how we’re all from different backgrounds. Color is powerful and uplifts us when we’re down. The same way color puts me at ease, my hope is that I can help others feel the same. This new series strives to spread positive energy, as being in a positive state of mind is a game changer!"
Courtesy of Steve Javiel & Voss Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Stormi Kenneth Lieth Skies
Feelings & Emotions (2024)
Acrylic on canvas
15 x 20"
Painter Photographer and digital artist for years now. was always painting drawing and making art any way I could
"Inspired by feeling and emotions I felt when I painted these."
Courtesy of Stormi Kenneth Lieth Skies & Hospitality House's Community Arts Program.
Preview in person at MothBelly, 912 Larkin St. SF
Sue Laurita
Four Cornered Corazon (2018)
Acrylic on canvas
18 x 18"
Sue Laurita is a multimedia artist living and working in San Francisco’s Mission district. Exposed Channels, was the artist’s first solo exhibition at the Community Arts Program and was a culmination of two decades working with paint, collage, drawing, jewelry, and ceramic decoration.
"Sue works across a wide variety of media, using patterns, shapes, and color to bring her interior worlds to life. Moments of bursting, radiating light and colorful threads move outwardly across the surface of her work, weaving spiraling lines together to create energetic mandalas. Repeated motifs of boxes and bows, targets and spirals, flowers and hearts organically form relationships between the works. Sue uses these symbols to visually communicate her movement through and understanding of the world."
Courtesy of Sue Laurita & Hospitality House's Community Arts Program.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Susan Birnbaum
Love Meter (2022)
Yarn
11 x 8 x 2.5”
"Honored to be included in numerous group shows in wonderful local galleries and always try to bring joy with my pieces as well as a sense of humor."
"The arrow on the love meter moves between a lot, passionately, a little , meh and like crazy. The backside says “spread love”. By bidding on this piece you can show your love for the wonderful work Hospitality House does."
Courtesy of Susan Birnbaum
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Suzanne Cowan
Portrait of a Young Man (2022)
Pastel on paper
18 x 24"
"I have been drawing and painting all my life, drawing most of my subjects from people and objects I see around me every day in the urban environment. Although it is not overtly "political," my work is strongly conditioned by social and political reality. I am especially sensitive to the status of people in contemporary society and strive to depict them in a way that highlights both the reality of their circumstances and their inner life."
"This portrait, done in white pastel and charcoal on black paper, is based on a photo which inspired my imagination. I felt a strong affinity for the subject's expression, which seems bold and yet vulnerable."
Courtesy of Suzanne Cowan
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Tamsin Spencer Smith
Firebird / Friend (2023)
Acrylic on wood panel
16 x "20
Smith is a self-taught painter, whose work has been shown broadly throughout Northern California in galleries including Adobe Books Backroom Gallery, Incline, Modern Eden, Guerrero Gallery, and the Occidental Center for the Arts. Bold color combinations and a story-driven approach to figuration are signature elements of her work. Smith is also a published poet, essayist, and songwriter.
"This sweet little bonbon of a painting captures my friend Emilio playing his new Gibson Firebird, which was the go-to choice of Stones guitarist Brian Jones. Player and instrument are stripped of detail with an eye to illustrating the merger of man and music. I wanted to capture the joy of exploring a new toy and Emilio's evident delight in connecting with a hero in this way."
Courtesy of Tamsin Spencer Smith
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Tana Quincy Arcega
Secret Pavilion (2018)
Hand towel, fiberglass screening, spackling paste and wood glue
20 x 14"
Born in Nebraska 1977, Tana Quincy Arcega obtained a BFA from the University of Nebraska and an MFA from the New York Academy of Art where she studied figurative painting and sculpture. Her painting practice explores the immanent qualities of materials, rooting downward. A coinciding contemplative practice probes upward towards transcendence. At the coalescence of these is a centeredness on compassion, healing, and able-ness. She is represented by Re.riddle Gallery.
"Stirred by Mother Teresa’s recently published writings in “A Call to Mercy: Hearts to Love, Hands to Serve,” Quincy Arcega invites us to contemplate how compassion can exist within our complex contemporary times. Towels express tangible acts of caring-- they touch bodies and scrub floors, their humility and service know no bounds. Household repair items such as spackling paste and wood filler are extruded through gridded substrates and sewn into the towels culminating in a visceral yet delicate display of constructed textures which map the imagined floor-plans of interior spaces for the unhoused. Each of these gestures is an invocation that those literally marginalized to our sidewalks and streets will be invited back inside."
Courtesy of Tana Quincy Arcega & re.riddle.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Tara Daly
Untitled (2021)
Low fire ceramic
14 x 6"
Tara Daly is a California artist who makes sculptures, paintings and textiles in material driven processes that explore power, collapse and connection. She has exhibited at the Yerba Buena Center for the Arts, the Richmond Arts Center, Museum of Craft and Design, Contemporary Craft Center among other non-profit art centers and galleries nationally. A graduate of the Santa Monica College of Design, Art and Architecture and the San Francisco Art Institute, Tara has been an artist in residence at Anderson Ranch Center for the Arts, Penland School of Crafts, the Santa Fe Art Institute and was a recipient of Pollock-Krasner Foundation Fellowship at the Vermont Studio Center.
Courtesy of Tara Daly
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Tess Davis Cheek
ebb & Flo (2022 - 2024)
Sterling silver, fine silver, abalone, & "lemon jade"
16"
"ebb & Flo was created intermittently over the span of 3(ish) years. it speaks to the ebbs & flow of creativity, capacity, attention span, and the changing seasons of life. I started this piece in 2022, then got busy, disinterested, distracted and forgot about it. In 2023, after getting pregnant, I had returned to this piece, then again, got busy, disinterested, distracted and gave birth to my first and only child, Flo. In 2024, in my fragile, overwhelmed, sleep deprived and HYPER CREATIVE state, found this piece once again, and finally completed it.
Each charm was started in a different year and marks the state of mind and body at the time— pre, pregnant, and post creation of Florence Soleil."
Courtesy of Tess Davis Cheek.
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
The Tracy Piper
I Love You IV (2021)
Acrylic on canvas
12 x 12 x 1.5"
The Tracy Piper (b. Oakland, CA, 1987) is a female-identifying, contemporary painter, muralist, author and art activist. Best known for her vibrant portraits and figurative acrylic paintings, Piper’s illustrative work tackles social constructs in an abstract-realist style. She has shown at SCOPE and SELECT in Miami, FL; stARTup Art Fair in San Francisco and Los Angeles, CA; SCOPE New York, NY; and exhibits internationally. In 2017 Tracy competed on the GSNTV show “Skin Wars: Fresh Paint” and emerged victorious! Tracy’s murals span both coasts with a focus on positive and inclusive messaging. Her debut book "Worthy," along with the latest "SEEN" and "SEEN Vol. 2," are available through Voss Gallery Books. She holds a Bachelor of Arts in Illustration from California College of the Arts and is represented by Voss Gallery.
"This vibrant canvas is not just a splash of colors but a bridge between worlds, symbolizing the power of American Sign Language (ASL) to unite diverse communities with the universal message of love. This painting was debuted at SCOPE Art Show in Miami with Voss Gallery during Art Basel in 2021."
Courtesy of The Tracy Piper & Voss Gallery.
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Timothy Wells
One Hundred Years of Fountains (2017)
Watercolor
13.25 x 13.75"
"'One Hundred Years of Fountains' is a fictitious commemorative postage stamp painted in watercolor at actual stamp size (four individual stamps comprising a group that together forms an image of Marcel Duchamp’s 1917 readymade sculpture “Fountain,” which consists of a porcelain urinal signed "R. Mutt”)."
Courtesy of Hilary Rand.
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Tom Seligman
Appropriation (ReAppropriation) (October 2021)
Ink on watercolor paper
20 x 24"
MFA 1968 School of Visual Arts New York. Exhibited occasionally until retiring from directing the Cantor Arts Center at Stanford University. Regular exhibitions at galleries 2020-present.
"During Covid I did a series of 50+ large ink drawings based upon the theme of "Appropriation". I appropriated design images from cultures I have worked extensively with and then added my own intense line drawing to each work, including a few iconic works of western artists."
Courtesy of Tom Seligman
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF
Victoria
Bunny Tea Pot (2023)
Ceramic, glaze, sand
9 x 9 x 9"
Victoria is a college graduate who studied both the Fine Arts and the Humanities and graduated honors. She traveled around the world whichs influnences her artwork today.
"The Bunny Tea Pot is celebratory of the year of the Rabbit which comes around every 12 years. The rabbit made it accross the river before the dragon did which symbolizes patience."
Courtesy of Victoria & Hospitality House's Community Arts Program.
Preview in person at Moth Belly, 912 Larkin St., SF
VVCHNTE
Happy Hour (2020)
Acrylic on canvas
18 x 22"
"I’m continuously balancing the anxieties of being a self-taught artist with my life as a Special Education teacher, in a journey that I only find tremendous joy from. From my art, I can only hope to smile while exploring the borderlands that aim to separate my psyche."
"A visual brainstorm and inquiry on the meaning of going to happy hour."
Courtesy of VVCHNTE
Preview in person at Rosebud Gallery, 839 Larkin St. SF
Zach Searcy
Pollinator (2023)
Paper pulp, acrylic, and gouache on wood panel
12 x 9"
Courtesy of Zach Searcy
Preview in person at Hospitality House’s Community Arts Program, 1009 Market St. SF
Zoe Ani
Wave Series 17 (2023)
Watercolor and ink on paper
11.75 x 14.25"
Zoe Ani is a visual artist based in San Francisco. They articulate their practice from the lens of their Hawaiian and indigenous cultures. Leaning on their studies in Traditional Chinese Medicine, they explore the concept of balance inspired by patterns in nature, place, memories, dreams and music. They have exhibited at San Francisco City Hall, the Napa County Library, and the 2023 deYoung Open. They are a 2024 grant recipient from the Cenote Foundation.
"The Wave Series uses a water motif as a reference to healing. The vertical bars allude to the barriers felt all around real and imagined. The ink markings weave through the tumult of the sea communicating that nothing is still, the barriers are an illusion and we are all interconnected."
Courtesy of Zoe Ani
Preview in person at Drawing Room ANNEX, 599 Valencia St. SF